By Rachel Weisz

Don’t mistake the new Gucci for boring. Yes, while this highly anticipated collection was, as expected, much more sober than Alessandro Michele’s maximalist festivities — this does not stop Sabato De Sarno from presenting Gucci in glamour. This collection, a love letter to Milan, presented Gucci as we know it best — perfect tailoring and effortless glamour, each piece styled with intention. This show may have been stripped back, but it was anything but subdued. 

The pieces were classy, wearable and extremely sexy as we were acquainted with the next phase of Gucci; low-rise mini shorts, plunge necklines, strapless minidresses, and ankle-breaking platform loafers. The colour burgundy complemented the garments elegantly, introducing this mature tone into the summer season. Bold and seductive, the impeccable quality of the garments is evident, you can almost feel its soft touch through the screen.

Logomania and monochrome styling persist this season. Elegance is a theme throughout the collection, and as the show continues we start to feel a party begin. Rhinestone mini tops, crystallised mini dresses, and low scoop necklines boost the festivities, giving glitz and glamour. 

If you were to think we are to omit the 2010’s inspiration as per the trend cycle would predict now that Y2K is in full swing, think again. De Sarno graced us with his take as we revisited denim jackets, mini belts and dresses over pants. Black lace was summoned to the runway complimented with silk in shades of baby pinks and blues. Gucci executes it well, however — so we have nothing to fear.

Overall the collection felt cohesive and still was a reflection of what the brand truly is at its core. It’s difficult to judge a new creative director over one collection, although we can admit that this new phase of Gucci isn’t shy, and we are hungry for more.